Tchng Fell., Classics, Harvard, 1970-1; instr. Wellesley, 1972; instr., asst. prof. Princeton, 1972-9; prof. classics, UCLA, 1979-???; summer vis. asst. prof., U. of Iowa, 1973; vis. asst. prof. Stanford, 1976; fell., Center for Hellenic Studies, 1976-7; ACLS, 1983-4; Chicago Inst. for Arch. and Urbanism, 1989-90; Hum. Res. Inst., U. California, Irvine, 1991; ed. bd. for monographs, APA, 1980-4; ed. bd., Helios, 1979-82; U. of California Publications in Classical Studies, 1983-8; vis. prof., Grad. School of Design, Harvard, 1993; adj. prof., South California Inst. of Arch., 1987-94; APA Teaching Award, 1988; intern, Eric Owen Moss Architects, Los Angeles, 1989-91; intern, Janek Tabencki, Los Angeles, 1994; intern, Greg Lynn Form, Los Angeles, 2001-2; tchr, Beijing Architectural Studio Enterprise, Beijing, China, 2007, 2008; lector. China Academy of Art, Hangzhou, China; vis. prof. Gallatin School of Individualized Study, NYU, 2005; co-tchr. Southern California Institute of Architecture, 2007.
The Etymology and Usage of πεῖραρ in Early Greek Poetry. A Study in the Interrelationship of Metrics, Linguistics, and Poetics (State College, PA: APA, 1975) REVS.: CR XXIX 1979 324-325 Penney; “Helen's Web. Time and Tableau in the Iliad,”Helios7 (1979-80) 19-34; “Allegorizing Winged Words. Similes and Symbolization in OdysseyV,” CW 74 (1980) 109-23; “Helen's 'Good Drug'. Odyssey IV.1-305,” in Contemporary Literary Hermeneutics and Interpretation of Classical Texts, ed. S. Kresic (Ottawa: Éd. de l'Univ., 1981) 201-14 (reproductive. Oxford Readings in Homer's Odyssey, ed. L.E. Doherty (Oxford: Oxford U. Press, 2009) 314-55); “Sacred Apostrophe. Re-Presentation and Imitation in the Homeric Hymns,” Arethusa15 (1982) 83-108; “Language and the Female in Early Greek Thought,” Arethusa16 (1983) 69-95; “Odyssean Temporality. Many (Re)turns,” in Approaches to Homer, ed. C.A. Rubino & C.W. Shelmerdine (Austin: U. of Texas Press, 1983) 38-73; "Interplay of Opposites," House and Garden (January 1986) 126-33, 174; “The Homeric Hymn to Aphrodite. Tradition and Rhetoric, Praise and Blame,” ClAnt 8 (1989) 1-41; "Post-Modernism and Beyond," in Postmodernism and Beyond: Architecture as the Critical Art of Contemporary Culture. Conference Suppl. (U. of California, Irvine, 1989) 28-38; "Gold's Gym in Venice, Ca.," Assemblage. A Criticall Journal of Architecture and Design Culture 13 (1990) 6-33; "Baubo and Helen. Gender in the Irreparable Wound," in Drawing, Building, Text. Essays in Architectural Theory ad Criticism, ed. A. Kahn (New York: Princeton Architectural Press, 1991) 107-26; “Architecture Gender Philosophy,” in Innovations of Antiquity, ed. Ralph Hexter & Daniel Selden (London: Routledge, 1992) 253-305 & Strategies in Architectural Thinking, ed. R. Burdett, J. Kipnis, & J. Whiteman (Cambridge, MA: Chicago Institute for Architecture and Urbanism/MIT Press, 1992) 8-46; "Educating Architecture as a 'Total Woman': Programmata for an Architecture of Metis," Harvard Architecture Review 8 (New York: Rizzoli, 1992); "Mouseion. Venice, CA. Memory and Fetish in the Murals and Buildings of Venice, Ca.," in Fetish. The Princeton Architectural Journal 4 (1992) 130-57; "Artemesia, Aristotle, and the View from L.A. Bridge at Concourse and the Clayton County Library of Scogin, Elam, and Bray," in Scogin, Elam, and Bray: Critical Architecture / Architectural Criticism, ed. Mark Linder (New York: Rizzoli, 1992) 102-41; “The (Re)Marriage of Penelope and Odysseus: Architecture Gender Philosophy: a Homeric Dialogue,” Assemblage 21 (August 1993) 6-23; repr. in Slices from the Banquet: The Ages of Homer, ed. J. carter & S. Morris (Austin: U. of Texas Press, 1995) 130-57 & The Ages of Homer: a Tribute to Emily Townsend Vermeule, ed. Jane P. Carter & Sarah P. Morris (Austin: U. of Texas Press, 1995) 205-20; "Letter to Jennifer Bloomer on Architecture and the Feminine," Any 4 Architecture and the Feminine: Mop-Up Work 4 (1994) 12-15; "Female Fetish Urban Form," The Sex of Architecture, ed. D. Agrest, P. Conway, & L. Weisman (New York: Harry N. Abrams, 1996) 73-92; "Jon Jerdes Architecture der Lust/Jon Jerde's Architecture of Pleasure," Daidalos 68 (June 1998) 60-7; "Jon Jerde and the Architecture of Pleasure," Assemblage. A Critical Journal of Architecture and Design Culture 39 (1999) 8-35; "The Easier Beauty of Animate Form," Architectural Record 11 (2000) 78-82; "El Lissitzky's Four Composite Drawings of the Abstract Gallery, Hanover Museum, 1926-1927. Convention, Motion, and the Fourth Dimension," Convention and Invention in Architectural Drawing, ed. J. Ackerman & W. Jong , harvard Graduate School of Design Publications (2000) 166-81; "Cinemagraphic Analysis of the Chinese Garden," Peter Behrens School of Architecture @ Beijing Architectural Studio Enterprise (2007); Weaving Truth: Essays on Language and the Female in Greek Thought (Cambridge: Harvard U. Press, 2008). REVS.: AJP 2009 130 (4): 635-640 Eva M. Stehle | BMCRev 2010 (2): n. p. Viviana Gastaldi; CR 2010 N. S. 60 (1): 7-10 Thomas K. Hubbard; "Plato's Timaeus and the Aesthetics of 'Animate Form'," in One Book: The Whole Universe. Plato's Timaeus Today, ed. Richard D. Mohr & Barbara M. Sattler (Las Vegas, NV: Parmenides, 2010) 343-72.