All Scholars
BAKE, John
- Date of Birth: September 1, 1787
- Born City: Leiden
- Born State/Country: Netherlands
- Parents: Hermanus Adrianus, an obstetrician, & Margaret Mitchell B.
- Date of Death: March 26, 1864
- Death City: Leiden
- Death State/Country: Netherlands
- Married: Elisabeth Nicolina Sara Hoogvliet, 1811; Johanna Maria van Ooijen, 1823.
- Education:
Study at Leiden, 1802-10; Ph.D., 1810.
- Dissertation:
Posidonii Rhodii reliquae doctrinae (Leiden, 1810; published, The Hague, 1810; repr. Osnabruck: Biblio Verlag, 1972).
- Professional Experience:
Conrector, Latijnse School, Leiden, 1810-15; prof. by special appointment, Leiden, 1815-17; prof. ord., 1817-57; rector magnificus, 1828-9.
- Publications:
Selected works: Oratio de principum tragicorum meritis (Leiden inaugural address 1815, published in Leiden, 1817); Oratio de custodia veteris doctrinae et elegantiae, praecipuo grammatici officio (Leiden inaugural address 1817, published in Leiden, 1817); Scholica Hypomnemata I-V (Leiden, 1837-1861); Apsinis et Longini Rhetorica (Oxford, 1849); Publicum in Academia Lugduno-Batava docendi munus deponens auditoribus valedicit (Leiden, 1857); Over de methode van onderzoek naar de echtheid of de onechtheid van de op naam van Cicero gestelde eerste Catilinaria (Amsterdam, 1859).
See for a full list of Bake’s works, together with summaries of them, Schouten 1964, 72-85.
- Notes:
John (who also used ‘Jan’) Bake played an important role in effectuating a change of orientation in Dutch Classics in the nineteenth century, namely from being primarily concerned with philosophy (with Daniel Albert Wyttenbach (1746-1820) and Philip Willem van Heusde (1778-1839) as its main exponents) to having textual criticism as its main interest, with Carel Gabriel Cobet (1813-89) as its eventual champion. Bake obtained this role following a series of unexpected events in his early career.
Bake’s appointments were not set in stone: one could have imagined alternative scenarios. A brief look at Leiden Classics during the Dutch ‘French period’ may be helpful. When Louis Bonaparte took the throne of the ‘Batavian Republic’ in 1795, the two Leiden Classics professors were the already aged David Ruhnken (1723-98) and Joan Luzac (1746-1807). After Luzac criticised the violence of the French Revolution in print, his Chair of Contemporary History was taken from him, which prompted him to lay down his Chair of Greek in 1796 as well. Replacements were sought: both Friedrich August Wolf (1759-1824) and Immanuel Gottlieb Huschke (1761-1818) had initially accepted but then refused. To make matters worse, Ruhnken passed away a few years later and there were no full professors left. Wolf, who repented of his earlier refusal, wrote to apply but Wyttenbach (who was previously at the Amsterdam Athenaeum Illustre) was instead appointed as holder of both Chairs.
At some point, Luzac was reinstated but then another act of misfortune occurred. He was killed in 1807 following the explosion of a ship which was sailing through Leiden carrying gunpowder to be used in the Napoleontic Wars. Many people were sought to replace him. Van Heusde refused the Ruf, Huschke and Creuzer again accepted but then again dropped out. An agreement was reached with Deventer Professor Jan Otto Sluiter (1788-1815), but for one reason or another, King Louis Napoleon did not approve.
The situation remained unresolved. Again, Wyttenbach, whose health was failing. was the only person remaining. For the next few years, Leiden professors with expertise in other fields were asked to teach Greek, until finally Wyttenbach’s former student Bake was asked to assist with the teaching of Greek as a Professor by Special Appointment. But his 1815 inaugural address was not well received, especially because his lack of talent in public oratory. When Wyttenbach retired in 1817, a whole range of people were offered the position, including again Van Heusde and Creuzer. But when all of them refused, there was no option left except to turn Bake’s professorship by special appointment into a regular one, much to the chagrin of the education minister, who had applied himself to the search as well.
If any of the aforementioned scholars had accepted their offers at any point, the fate of Leiden Classics would have likely been completely different. Wolf would have introduced Altertumswissenschaft to Leiden almost a century before it really gained ground; Creuzer would have shifted the focus towards historiography; Van Heusde would have continued the philosophical tradition of Wyttenbach. But now it was Bake, who had textual criticism as his main focus, who would influence the direction of Leiden Classics for 40 years himself, and for longer via his students.
It remains to explain how Bake acquired this orientation. Again, its origins may lie in an events of which the Napoleontic Wars served as an indirect catalyst. When Peter Paul Dobrée (1782-1825), friend and admirer of Richard Porson (1759-1808), was in Paris in 1815 to study manuscripts, he found himself having to flee after Napoleon’s return from Elba. He made for Leiden, where he met Bake. A year later, Bake also met Thomas Gaisford (1779-1855) who came to Leiden to study manuscripts. Both Dobrée and Gaisford describe the legend that was Porson to their host. In the introduction to his Scholica Hypomnemata II (1839), Bake would later describe both meetings as almost being a life-changing event. He has high praise for Dobrée, but is even more exultant about Gaisford:
Primus ille mihi Porsonianae disciplinae aperuit praestantiam, excellenti plane commendatam et scientia Graeci moris ac sermonis et acerrimo venerum Atticarum sensu ; quorum adspectu bonorum qui non incalescat, alacriusque ingenio moveatur, hunc insuperabili torpore illigari puto. Vere mihi sic videbar vel e somno excitatus, vel e cessatione, vel fortasse nescio qua opinione boni exturbatus, quod videlicet iam essem consecutus. (pp. 5-6)
‘he was the first person to make known to me the pre-eminence of the Porsonian method, distinguished by a thoroughly excellent knowledge of Greek custom and language, and by the sharpest possible insight into the beauty of Attic Greek. If anyone did not glow at the sight of these virtues or if their disposition was not quickly shaken by them, I would think that he was bound by an incurable torpor. Truly it seemed to me that I was either roused from sleep or inactivity, or maybe thrust by some sort of notion of the good which I had clearly already been looking for.’
- Notes (2):
Bake continued the methods and beliefs of the school of Porson in the Netherlands, even after the “successive strokes of doom which consigned Dobree and Elmsley to the grave and Blomfield to the bishopric of Chester” (Housman). How exactly Bake’s meetings with Dobrée and Gaisford changed his beliefs can be glanced from a comparison between the 1815 and 1817 inaugural addresses. The first of these, ‘The merits of the principal tragedians’, to a large degree continued the tradition of earlier Dutch scholarship: it was estheticizing and primarily philosophically interested. In Bake’s synkrisis, Euripides gets top marks because he introduced philosophy to the stage and gave his plays a moral purport. His 1817 address (‘Preserving ancient learning and style, the main task of the grammarian’) by contrast, was of a very different nature: he avers that it is the Classicist’s task to focus on language as opposed to content, and to adopt a critical stance towards the texts transmitted in manuscripts (Schouten 1964, 113-114). Later Bake would explicitly reject Boeckh’s insistence on widening the scope of Altertumswissenschaften beyond textual evidence. Bake thought that the study of ancient literature was a better way of understanding the mindset of the Greeks and Roman than that of realia, which was better left to the respective disciplines anyway. (Hamaker 1907, 34-39; Schouten 1964, 90)
Bake’s focus on Wortphilologie led him to extremes: his close reading of some of Cicero’s speeches, for instance, brought him to the view that none of these were from the hand of Cicero himself, a view that had also found sympathy with Wolf and his school. Bake even devoted his valedictory lecture (Bake 1857) to the issue of the authenticity of Pro Marcello, contending that ‘it seems almost impossible to believe […] that anyone could be found who thinks that among such great ignorance of language, such great emptiness of ideas Cicero’s talent could still be detected [in the speech]’. An obvious counter to this claim was that ancient authors such as Seneca the Elder, Asconius and Quintilian seemed to have found no fault with his style in those speeches which Bake thought spurious. But Bake did not see this as a problem: he believed that Cicero ‘had taken the secrets of his style with him to the grave’. It is easy to smirk at this extremist application of ‘higher criticism’, but it was very much en vogue in his circles: Bake’s collega proximus Peerlkamp published editions of Horace and Virgil in which large portions of the texts were marked as interpolations. Moreover, we should remember that Bake and his contemporaries did not have access to our range of lexica and dictionaries, and that their texts of his day were worse than ours.
Much of Bake’s earlier work consists of smaller notes in the journal Bibliotheca critica nova, which he founded together with his friends and colleagues Hendrik Arent Hamaker (1789-1835; professor of Oriental Studies), Jacob Geel (1789-1862; head librarian of Leiden University), and his collega proximus from 1822 onwards, Petrus Hofman Peerlkamp (1786-1865). When the Bibliotheca critica nova ceased to exist, Bake published notes and articles collectively as volumes entitled Scholica Hypomnemata. Other notable works are his edition of Apsines and Longinus (1849), whose publication in Oxford is explained by the fact that he kept corresponding with Gaisford, delegate of the Oxford University Press, long after their first 1815 meeting (see below under ‘Letters’). In his textual scholarship Bake, anticipating his student Cobet, Bake repeatedly questioned the validity of the stemmatic method against Madvig, believing that this stemmatic method was doomed to fail in view of the large number of interpolations found in the manuscripts (see Bakhuizen van den Brink 1865, 139 with further references).
As mentioned previously, Bake’s name should be mentioned in conjunction with that of Cobet’s. When the latter was a student, Bake was instrumental in persuading him to change from Theology to Classics. A few years later, he found a way for Cobet to obtain the degree of doctor honoris causa which enabled him to go on his five-year journey around European libraries from 1840-1845 (see the entry on Cobet for more details). Cobet became Bake’s collega proximus shortly after in 1849. This entailed a change of teaching provision as well: previously, Bake mainly taught Greek (Peerlkamp did most of the Latin), but he switched to Latin and left Greek for Cobet to teach. Even after Cobet’s appointment, Bake held great influence over him, to the point of suggesting a topic of his inaugural oration (see for this Schouten 1964, 90). Cobet’s name will be known to most students of the history of classical scholarship; Bake’s is now largely forgotten.
- Sources:
R.C. Bakhuizen van den Brink, “Ter nagedachtenis van Mr. John Bake,” Jaarboek KNAW 1865, 107-45; S.A. Naber, Vier tijdgenooten: indrukken en beschouwingen (Haarlem, 1894), 173-82; D. C. A. J. Schouten, Het Grieks aan de Nederlandse Universiteiten in de negentiende eeuw, bijzonder gedurende de periode 1815–1876, (Nijmegen, 1964), 69-121; E. Slijper, “Het professoraat van Friedrich Creuzer te Leiden in 1809,” Oud Holland 24 (1906) 193-212; E. Slijper, “Het professoraat van Fr. A. Wolf te Leiden,” De Nederlandsche Spectator 1906, 169-71.
Letters
The Leiden University Library preserves letters sent to Bake by colleagues (BPL 1187), including a large collection of letters sent by Gaisford. Bake’s letters written to his wife during an 1830 voyage to Italy are preserved as well (BPL 2540) and have been published: M.A. Schenkeveld-van der Dussen and W. van den Berg (eds.) (1986), John Bake, Reisbrieven, Amsterdam.
- Author: Bram van der Velden